Friday Five: The Kathleen Duey Edition

ONE:
So what do you do when you’re more than a year into a project yet
still confused regarding the viability of said project?
Hire Kathleen Duey - Writing Consultant Extraordinaire.

Kathleen Duey pic

TWO:
And how does that consultation take place?
Via Skype in which you’re face-to-face across the miles,
looking into Kathleen’s friendly face below those flaming tresses,
as she shares her reaction to your opening pages and synopsis.

THREE:
Will she automatically like what you’ve written and advise you to
continue in that vein?
Not in my case. But that’s good because the reason
I contacted Kathleen was to jar myself from the space I was in with
that project, and to get me thinking in new and different directions. If she’d
told me I was on the right track I would’ve wanted my money back.

FOUR:
Did she share brilliant insights and suggestions?
Yes and yes! Kathleen offered a plot device I hadn’t considered which
will make the storytelling easier while adding complexity to the plot. She also
had oodles of general insights and if I had to choose a money quote from our
session it would be ”I don’t really know this kid yet and I’m thinking you
don’t know him much better.” That was painful to hear but not unexpected;
it was the wake-up I needed. (She then shared techniques for
getting to know him, getting to know all about him…).

FIVE:
Well, it kinda sounds as if your project needs a major overhaul so aren’t
you a little overwhelmed?
Absolutely. But I also finally, finally feel as if I might be able to do this concept
justice (a concept Kathleen very much loved) and so am trying not to look
too far ahead as I begin at the beginning (again). This project is my Grow
and Learn and Mature as a Writer project, and I want to embrace the
experience.

BONUS:
If you get the chance to hear Kathleen speak at a conference, do it.
I heard her years ago when my energy and drive were flagging and
she made me not only want to write again, but to write well. She’s smart
and passionate and incredibly supportive of other writers.

Thank you again, Kathleen!

New Running and Writing Perspectives

           

I'm developing new perspectives 
regarding running and writing,
perspectives I hope will sustain me.

I am a creature of habit
and while there's no harm in my many years 
of ordering aloo gobi at Indian restaurants
or my drawer filled with black shirts,
black shirt   black shirt   black shirt

I'm realizing I do myself a disservice when I,
for example, get so focused on how fast I can run a certain
trail that I get locked into that one workout.

Last summer I ran three or four times a week
on the trails in the open space,
trails that include lots of rocks and inclines.
When it came time for the annual road race 5k to benefit my kids'
high school I was sure I'd kick butt.
Well, I did cut some time but nothing close to what I'd hoped for,
and I didn't know why.

Now I think I do.

Every run was on the same couple loops,
starting from the same place 
and ending at the same point.
My muscles got used to those runs and settled in at that level.

Here's what the trail system looks like where I run:
Hayden Green Mountain trail map
image from BigDaddyMaps.com

While it's true there are many trails, 
not all those trails are great for running.
Many are so steep I'd be faster hiking them than "running."
So I gravitated to the trails that had long sections of tolerable inclines,
wanting a decent-length workout. 

This summer I'm trying something new:
I go off on tangents, even if those trails are short or quickly turn steep.
I'm keeping my muscles on their proverbial toes as I mix up my workouts.
As a result, I'm not obsessed with my time and allow myself the luxury of 
watching coyotes or jumping sideways at the sight of a snake.

Jim Fixx cover
Every step I take is a good step.

So what does this lengthy screed have to do with my writing?
I'm back working on the project I set aside in April in order to focus
on other revisions, the project that's different from any other book I've written.

This project intimidates me and I really have no clue whether I'm hitting the mark.
But I'm using new writing muscles and that can only make me a stronger writer 
(assuming I don't run screaming into the night).

Something else I've learned?
New perspectives are not only good for the muscles but nourish the soul.

                       

Maurice Sendak on Melville and Diving

  

Herman Melville was always using the image of the artist as diver. 
He loved that word. Having to dive from some height, meaning, of
course, taking a serious risk. Because if you dive and you're lucky,
you'll come up with gold from the bottom of yourself. You dive deep
into the self. But you can also drown, you can smash your head upon
the rocks — there are terrible risks in diving from a great height. But
if you didn't dive, then you were not an artist in his terms. Without
risk you were just a middle-of-the-road type guy. 
               
                  ~ Maurice Sendak from Writers Dreaming by Naomi Epel

I'm afraid of heights
and sometimes I'm afraid to dive deep into myself.
However, I never want to be a middle-of-the-road type guy.

Inviting all my creative friends to join me in taking the plunge 
today and every day.

                   

A Tip from John Irving

“A writer’s job is to imagine everything so personally 
that the fiction is as vivid as memories.”   ~ John Irving                        
                                                                                                                         
                                                                                                                         
                                                                                                                          

Art Blossoms

                 

Art is born of the observation and investigation of nature.
                                                      ~ Cicero


                                                                                                                                                                 © Tracy Abell 2011
      


My current project is cherry blossom-free, but the glorious natural world keeps me going.
In art and life.

Wishing everyone a week filled with Nature’s inspiration and rejuvenation.  

Seeking Out the Unremarked

        

 Discovery consists of seeing what everybody has seen and thinking what nobody has thought.

                                     Albert Szent-Gyorgyi


                                                                                                                            © Tracy Abell 2011       

Szent-Gyorgyi was a physiologist credited with discovering Vitamin C,

but this quotation gets to the heart of what it means to be a writer, too.
In fact, when reading it I immediately thought of something Marilynne Robinson told me (paraphrased):
 
Most experiences are unremarked.  The tendency in writing is to focus on the already evaluated
and already delineated. Instead, as a writer, aspire to bring to the forefront the unobserved.
 
Every story has already been told; it’s the telling that makes each different.
 
                

Hawk-Writer

              

Hello, Monday!

 
                                         © Tracy Abell 2011

This Sharp-shinned Hawk stopped by yesterday,
and watched as I photographed it from my deck.

“A serious writer is not to be confounded with a solemn writer.
A serious writer may be a hawk or a buzzard or even a popinjay,
but a solemn writer is always a bloody owl.”

                                                                                       ~ Ernest Hemingway 

Apologies to Barb ( ), but I’ll strive for hawk-writer this week.
                       

Revising. Again

         


Courage and perseverance have a magical talisman,
before which difficulties disappear and obstacles vanish into air.
 ~ John Quincy Adams 

I had the great good fortune of receiving a free manuscript evaluation and critique 
from Sacha Whalen via the Blue Boards.

It was fast and comprehensive.

Sacha had much good to say about BIRD BRAIN,
but pointed out (among many other things), that
the opening chapters could be stronger.
She even gave me an excellent suggestion on how to do that,
a way to raise the stakes throughout the story.

So here I go again.
I’m mostly excited, but also a little bit scared.

Courage is saying, "Maybe what I’m doing isn’t working;
maybe I should try something else."
 ~  ANNA LAPPÉ

Conference Wrap-Up

          

I’m coming out of my RMC-SCBWI conference-induced fatigue,
and wanted to share some morsels 
before the passion and meaning behind the words grow too dim.

Bruce Coville gave our keynote speech on Saturday morning.
My favorite line:  "The blank page is hard, not because nothing’s
there, but because everything is there.  The whole world."

He ended his talk (titled The Art of the Heart: Writing True for the Child)
with this: "Let us not take joy, let us give it.  Let us give it courageously."

Just a short while later, I had my one-on-one critique with him.
He read the first 10 pages of BIRD BRAIN.  
Good news: he thinks the voice is strong.
Not-as-good news: I need to rework the opening pages to set them in a scene
rather than exposition.  I kind of knew that, but had a secret hope he’d love it as is!
(Major thanks again to  for helping me out of a slump so I could get those
pages ready for submission!)

One of the few sessions I was able to attend (due to responsibilities), was Social Media 101.
Drew Shope, of Thrive Social Media, is a 25-year-old social media guru who convinced me to start tweeting.
I’m having fun thus far but fear the Undisciplined Time Suck.
(I’m @TracyAbell)

I attended Elizabeth Law’s session on First Pages.
The overwhelming message of the day was Slow Down the Action.
(This is what was said regarding my first page from FRAMED, too.)
Of course, during another session, editor Kate Harrison and agent Elena Mechlin
both said they like a story that gets going immediately to pull them in.

(L-R Moderator Bobbi, Elizabeth Law, Elena Mechlin, Kate Harrison, Rotem Moscovich)

My favorite Elizabeth Law line of the weekend came in response to a question.
Q: If an editor or agent suggests revisions, is it appropriate to ask for clarification?
A:  No, work in the dark.  Spend a lot of time.  Hope you get it right.
(The answer is, Of course!)

I had a wonderful time and bonded with Bruce Coville.
When my critique time was up, I thanked him.
He said, "You betcha!" then said with considerable dismay, "I sound like Sarah Palin."
That’s all it took.  We were off and running (next writer hadn’t yet shown up).

It was a wonderful, exhausting weekend.
But next year, I hope to scale back on conference-day duties so I can fully enjoy.

(Local writers Stephanie Blake and Jeanne Kaufman yukking it up)

                

Inspiration for today’s work

           

As I get ready to write today,
hoping to choose the perfect words for my final chapter,
I hold Jeannine’s work up as inspiration.

From BORROWED NAMES by Jeannine Atkins:

As if staying in one place
is the sole measure of goodness,
as if ponds are better than running rivers or rain.

Jeannine sets the bar pretty damned high, doesn’t she?