Pondering and plotting

After talking (in very general terms) with a friend/critique partner today about my work-in-progress, I had an epiphany. I realized it was possible to slightly expand the primary setting for my story in a way that will allow me to more deeply explore some elements/themes I’d like to include. And yes, I realize that last sentence is pretty cryptic, but until I have a complete first draft I always err on the side of “keep your mouth shut, Tracy.”

But now I’ve now got a whole bunch of questions I must answer before implementing that change in the setting. As in, I need to know the how and why behind the expansion of the setting. Does the property I want to add belong to the protagonist’s family or a neighbor? Is that property already in good shape or is it in need of restoration? Would money change hands or could it be a barter system?

I’m very excited about this new idea. I’m also feeling bombarded by the many possibilities bouncing around my brain. Overwhelm alert!

Here, in solidarity on this #Caturday, is Marcel looking equally overwhelmed (although I’m pretty sure he’s not drafting a novel and is merely plotting how to move that heavy brick currently sitting on top of the kibble bin  ). May the two of us settle down and find clarity in the not-too-distant future. Well, one of us, at least.

4 thoughts on “Pondering and plotting

  1. Echo would’ve found a way to help Marcel move the brick. When he was a puppy, he was notorious for breaking out of his crate. At the groomer’s, they nicknamed him Houdini for his notorious escapes from crates.

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    • Good ol’ Echo to the rescue. Marcel would like that, for sure. We also had an escape artist dog (Flaco) who was the only dog to ever escape Doggie Vacations — twice!

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