I’d written just under 40,000 words of my latest middle-grade novel when it hit me: it’s not working. As in, not working as written. The story’s premise is solid (I believe), but the way I was telling the story was not working.
Yesterday I went all the way back to chapter two and tried again. The good news is that approach feels stronger. More sustainable. The bad news? Adopting that approach will mean scrapping a whole lot of those 40k words. Yikes. How could I get it so wrong?
Welp, as author Thomas Mann noted: A writer is somebody for whom writing is more difficult than it is for other people.
I’m feeling a bit discouraged. But like this House Finch outside my window today, I need to accept that I bobbled the initial landing.
And just keep on writing so that
I regain my footing in the story. It’s all I can do.
I just finished reading a young adult (YA) novel that was recommended as a good example of multiple point-of-view (POV) characters. The book recommendation came weeks ago as I debated whether I wanted to write my new project in multiple POVs rather than my usual first-person, but I just got around to reading it. It’s a very good book and I’m glad I read.
Except. One of the POV characters in the book has a home situation and coping strategy that very closely mirrors how I’m writing one of my characters. AND, there are some general similarities to the plots.
Photo by Lucas Pezeta from Pexels
Panic! Doubt! OMG, should I stop reading this? Do I need to rework my character? Rethink my plot? Drop the project altogether and buy a sailboat or take up harmonica lessons?
Well. As mentioned, I did finish the book. And the panic has (mostly) subsided because the draft I’m working on isn’t a YA but a middle-grade (MG) which means it’s for different readers. Plus, the book I read was published in 2012. So, I’m putting on my big girl pants and resuming my project.
I will admit, however, it was very unsettling to come across a reflection of something I thought existed only in my mind.