Earlier this week, I highlighted how anti-Zionists in the Jewish community are being  targeted by Jewish institutions, schools and synagogues, for expressing solidarity with Palestinians. It’s a heartbreaking situation that has fractured communities and led to feelings of pain and isolation for those bravely speaking out on behalf of our shared humanity. Unfortunately, that’s not the only community being torn apart over Zionism.

Writers are also facing the same kinds of pressure from literary institutions. Yesterday, Truthout published the following from author Lisa Ko: “Literary Institutions Are Pressuring Authors to Remain Silent About Gaza.” The article begins with this (emphasis mine):

When writer and disability justice activist Alice Wong received a MacArthur Fellowship earlier this month, she shared a statement about accepting it “amidst the genocide happening in Gaza.” The backlash was swift, with a deluge of posts on X attacking Wong’s character and accusing her of antisemitism.

This conflation of opposition to Israel’s military action with hatred of Jewish people is only one part of a broader wave of political and social repression that is attempting to silence writers speaking out against the war. In the past month alone, authors who have criticized Israel’s ongoing bombardment of Gaza — which is funded largely by the U.S. — have been labeled extremists, been suspended and fired from faculty jobs, and targets of defamation and harassment.

Ko goes on to detail how she received death and rape threats as a result of her expressing concern for the safety of a Muslim woman scheduled to be on an upcoming  Writers Institute festival panel with Ko. However, Writers Institute isn’t the only institution pressuring writers to remain silent in the face of genocide. PEN America holds this mission statement — “PEN America stands at the intersection of literature and human rights to protect free expression in the United States and worldwide” — and yet feels comfortable pressuring authors to keep their mouths shut in order to be eligible for literary prizes.

A culture that demands certain political allegiances from its writers and artists at the risk of losing career opportunities is one that is antithetical to democratic values, and harkens back to the McCarthy-era Hollywood blacklist that barred writers from employment on suspicions of “subversive” and “un-American” leanings. 

I write for young readers and for many, many years belonged to and volunteered for the largest international organization dedicated to children’s writing and illustration: Society of Children’s Book Writers and Illustrators (SCBWI). I cancelled my membership several years ago because of how SCBWI treated a Palestinian woman who questioned SCBWI’s one-sided support for Israel following an attack on Gaza. I’ve never regretted that move, especially since SCBWI, which exists purely on behalf of creators for children, remains silent in the face of a genocide in which children are being shot in the head by snipers. I now belong to Story Sunbirds: a kidlit collective of authors and illustrators who stand up for children with all our hearts. I feel much more comfortable in that community.

Reading Ko’s article made me incredibly sad. Institutions that supposedly exist to uplift voices and create stronger bonds between humans all around the globe are instead using coercion and threats to keep people from speaking out on behalf of fellow humans. Please take a few minutes to read the article: “Literary Institutions Are Pressuring Authors to Remain Silent About Gaza.”

We can’t stop talking about Palestine.