I find myself without literary representation after nearly five years working with my former agent. We parted ways in August because her list has changed and she no longer feels well-connected with children’s lit editors and publishers. She worked very hard on behalf of me and my stories, but now I’m agentless. That’s the bad news. The good news is that I have a brand-new, shiny middle grade manuscript ready to query other agents. Unfortunately, the querying process often requires the inclusion of a one-page synopsis of the entire work.
Have you ever tried distilling a 48,000-word novel down to 500 words? It ain’t easy.
However, a writer friend reminded me of Susan Dennard’s 2012 post on the Pub(lishing) Crawl site: How to Write a 1-Page Synopsis so I’m using that format. Still, it’s not fun and I keep finding other stuff to do instead. Such as writing this blog post which is basically me complaining about how I’d really rather not have to write a synopsis! And searching for a fun goat photo to make me smile!
So, aside from announcing I share the near-universal dislike for writing a synopsis, what’s my confession here? Well, it’s that I keep learning and relearning how different my writing brain is from many other writers. I don’t think in Three Acts or even Beginning, Middle, and End. I write more on an instinctual level. That’s fine, but it also means it takes me longer to pinpoint my novel’s Plot Points and the story’s Midpoint (which doesn’t refer to whatever happens on the exact middle page of the manuscript). No doubt I’ll figure it out as soon as I stop procrastinating. After all, I’ve written synopses before and can do it again. Still, it’s kinda a bummer to realize after all this time that it’s still a struggle to write the darn things.