The fire has been contained and we’ve come back home. But this is why I nearly didn’t blog today.
Whew.
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When I searched my photos to see what image spoke to me today, I decided to use this picture from two months ago:

And as I looked at that slightly freaky, somewhat off-putting creature, I pondered the connection for today. Clinging? Holding on for dear life? Prayer? None of those resonated with me so I did an online search for “praying mantis facts,” and found my answer:
Instead of running away from a threat it will stay put and try to look bigger. It will raise its wings and raptory arms and try to stand as tall as possible. Maybe even rocking from left to right to seem more intimidating. Does it work? Actually, it does! Animals that are not particularly interested in eating the mantis or have not yet experienced this are a bit suspicious of a prey that does not run away.
In light of the current political freak show and our soon-to-be bully-in-chief, aka the Circus Peanut, I think we should all take a page from the praying mantis.
No running away!
Stand as tall as possible!
No running away!
And, if necessary, rip the bastards’ heads off and devour them.
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I received texts from family and friends after the election, asking how I was coping with the world’s new Agent Orange reality. I replied, in part, that there was still hope for the future if, out of this debacle, the Democratic party reassessed and became a true party of resistance.
And while the establishment Dems who pushed so hard for a Clinton candidacy are still deeply in denial regarding last week’s beat-down, there are glimmers of hope. People on my Twitter feed who have never, to my knowledge, tweeted anything remotely political or activist, are now engaged in the democratic process. They’re calling their representatives. They’re adding those representatives’ phone numbers to their contact lists. They’re writing letters, signing petitions, and asking others to do the same.
They’re taking to the streets and pushing back.
We have Donald Trump’s ugly authoritarian character to thank for that, and while that might not feel like much right now, it’s a legitimate silver lining.

Image found on Morguefile.com without any identifying info, so if you’re fortunate enough to happen upon this sculpture, please let me know where it is.
The strength and power of despotism consists wholly in the fear of resistance. ~ Thomas Paine
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For me, writing a novel is like having a dream.
Writing a novel lets me intentionally dream while I’m still awake.
I can continue yesterday’s dream today,
something you can’t normally do in everyday life.
~ Haruki Murakami
Writing a novel is a pretty cool gig, all right. Except for when the process turns nightmarish. Other than that, though, it’s a dream. Really.
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My 20-year-old son (known here as Zebu), is studying in Sweden this year. He’s been there since the middle of August and has found much to like and admire about that country and other places he’s visited in Europe.
Today we had a lengthy text exchange. My opening message was to ask if he’d already found a Swedish girl to marry so he could remain there rather than coming home to Agent Orange (aka Trump).
Here’s his reply:
Many people have asked if I’m just gonna stay in Europe, admittedly they ask jokingly, but I really thought about that. I feel like it’s almost a requirement that not only I come back but I spend a lot of time fighting back and doing real work. As a white male, my life changes very little. But a lot of people just had their agency put in danger. That’s bullshit for me to leave at this time and allow a steamroll of those who don’t have a soapbox.
I’m not surprised by his attitude. I am, however, very proud to be his mother.
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I’ve just started working again on a YA project that’s gone through many on-again-off-again phases. The reasons for that aren’t important (mostly because I’m not entirely sure why this project has been the biggest-mule-of-a-novel-ever.) What does matter is that I’m reminded (again) how difficult it is to bounce back from an off-again period when working on a project that is kinda, sorta a mystery. Mysteries require a precise sprinkling of clues and epiphanies, and that sprinkling would be hard enough to pull off if I’d written this book in a timely and consistent manner. As in, a day-after-day writing schedule that helped me keep ALL the details straight until this draft was finished, rather than periods of intense work followed by months of neglect.
So much unnecessary confusion.
Oy.
Sherlock’s disdain burns in my soul . . .
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Yesterday I was tearing out my hair in frustration over my revisions. I struggled with a couple paragraphs for hours before finally calling it quits. I was in a pretty foul mood.
Today I returned to those paragraphs and am happy to report that the words cooperated. And I didn’t even have to bludgeon them into place.
Even better news is that I then spent the rest of the day going over the entire manuscript and am now ready to send it to a brand-new reader. Do you know what this means? This means I am five whole days ahead of schedule! FIVE WHOLE DAYS, people!
What’s the key to my success?
As always, it comes down to two little words.
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There’s a real feeling when you know you’re getting it right. It’s a physical feeling.
~ Robert Caro

Yeah, but what about when you’re not getting it right? Huh? What’s that physical feeling called, Mister I’ve-won-multiple-Pulitzer-Prizes-and-National-Book-Awards??
Around these parts it’s starting to feel an awful lot like baldness.
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After a revision-filled day, I’m pleased with my progress. In fact, if I pushed on for just one more hour, I’d probably make it to The End. But my eyes are screaming for a break and, since my peepers work very, very hard for me every single day, I owe them a respite.

This lemur’s calling it a day.
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I’ve made huge progress on my middle-grade revisions, and am ahead of schedule. Woot! My plan was to have the revision finished before leaving to visit my mother at the end of the month and, because I’ve kept to my pages-per-day commitment, I will succeed. And that feels very good.
However, I can’t help thinking about how much revision has gone into this particular project. Oy. It’s been a long, long haul.

But a wise children’s writer with WAY more experience than me once said:
Revision is the heart of writing.
Every page I do is done over seven or eight times.
~ Patricia Reilly Giff
It’s nice to know I’m not alone.
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The bad news?
I’m suddenly feeling a bit rundown
and kinda puny
which is triggering pissed-off thoughts
such as
ARE YOU FREAKIN’ KIDDING ME?
AUTUMN IS JUST BARELY, OFFICIALLY HERE
AND I’M ALREADY GETTING SICK?!
The good news?
I’ve hit my page goal every day this week, including today,
which means that despite
the fact that humanity is failing on a global level,
(a hugely depressing truth that’s undoubtedly contributing to my
run-down
worn-out
had-enough-already
puny feelings),
all does not suck.
My plan of action?
Take it easy and repeat my new mantra:
ALL DOES NOT SUCK
ALL DOES NOT SUCK
ALL DOES NOT SUCK
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I’ve been having a really hard time with my middle-grade this past week or so. I didn’t meet my revision goal for the week and was struggling with how to move forward. I was feeling burned out and not-so-enthusiastic about my writing endeavors. Any of them.
It was like an ongoing game of tug-of-war in my head. Back and forth swung my thoughts, emotions, and physical responses. Quit or not quit? Some or all? Finish this or start that? Fiction or nonficiton?
But as I did my cool-down walk this morning after a trail run, I realized that not making progress on the revision of my middle grade was part of why I feel burned out. It’s exhausting to be in forever-limbo with a project.
I wanted to quit because I felt shitty but I can’t quit because that will make me feel even shittier. In other words, writing can most certainly tire me out, BUT not writing may ultimately be even more draining.
Memo to self: sometimes I’m most tired when I don’t.
(Despite my wonderful little epihany, I am REALLY looking forward to finishing the damned book.)
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I’m “supposed” to be working on my middle-grade revisions, but am having a hard time getting motivated. As in, I haven’t touched it at all today. Instead, I took some photos of visitors to the new feeder location and realized it’ll be a whole new learning experience due to the lighting differences. The feeder used to be sheltered by the branches and leaves of the maple tree. Now the feeder is exposed on a slope where the afternoon light hits it hard.
My feathered friends’ photos ended up washed out, and I just spent a while playing with contrast, white balance, etc. settings.
All that time playing with settings, you’d think I’d have something more impressive to show for it. Guess I need to get on those revisions so I actually accomplish something today.
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Can’t point my finger at just one thing that’s provoking anxiety today,
it’s more an accumulation of a whole lot of stuff twirling in my head.
Anxiety and I are well-acquainted with one another,
and I know the best approach
is to acknowledge that the anxiety is there,
accept its existence rather than try to fight it,
and then move on with my life.
So.
I’m feeling anxious,
it’s not a good feeling but I accept that it’s happening,
and now I’m going to go work on my middle-grade revisions.
Take that, Anxiety.
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Last night’s concert with Shovels & Rope and Nathaniel Rateliff and the Night Sweats filled me with joy and admiration. I’m not a musician nor have I ever played one on TV, but I felt a kinship with the people on the Red Rocks Amphitheatre stage.
Why? Because as I watched and listened to all those talented musicians, I understood on a gut level the work they’ve done. They’re creative people who have put in years and years to get where they’re at, and they’ve enjoyed glimpses of triumph and then been dragged down low. They’ve been discouraged yet kept going and when something wasn’t working, they tried something else. Every one of them took chances and eventually triumphed.
I want to be like those musicians when I grow up.
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I’m a perennial gardener which means that the flowers I’ve planted are supposed to come back every year. Some, like the coreopsis that once bloomed long and bright throughout my beds, suddenly stopped blooming. All of them, at the same time, disappeared from my garden. The same thing happened with the exuberant clumps of blanket flower that used to bloom next to my driveway and were the the envy of my neighborhood. Here today, gone tomorrow.
But those are exceptions. The vast majority of my flowers come back each year which is great because I’m lazy. And cheap. I don’t like having to plant year after year and I don’t want to pay a bunch of money for flowers that will only be around a few months.
For a number of years I did plant annuals in clay pots and place them around my patio and down the steps. It was a lot of work and cost a bunch of money, and I had to remember to water them all the time because it gets extremely hot out there in the late afternoon. So I just kinda allowed that aspect of my gardening to fade away and left the empty clay pots stacked in my basement.
However, one huge pot remains outside year-round.

This is a photo from yesterday and the petunias blooming there are the result of the last planting which was 2-3 years ago. Those petunias haven’t gotten the memo that they’re annuals. They keep coming back. They refuse to give up.
They’re tenacious,
they prevail,
and I feel an undeniable kinship with them.
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As I posted yesterday, I’m focusing on getting through this draft of my revisions and am trying hard not to get bogged down in potential issues. I want to trust that I can fix anything in need of fixing next time around. Right now the priority is maintaining forward momentum. The problem with pushing hard rather than employing my usual tweak-and-polish-rinse-repeat approach is that I can still see those potential issues and I start to doubt.
For instance in the above photo, I see all sorts of stuff:
vinca leaves
vinca blossoms
holly leaves
holly berries
pine needles
maple leaf
landscape timber
In this photo, it’s not clear where the eye should go. The focus isn’t great and there’s all sorts of stuff going on. And that’s a bit how it feels with the draft I’m revising. What potential issues deserve my full attention right now and what’s okay to let go? Where should I zoom in and where can I pan the camera? Inquiring voices (in my head) want to know.
I’m not in any kind of panic about this. I’ve made solid progress today and still believe (24 whole hours later!) that I’m taking the best approach to this draft. It is, however, interesting to note that the voices insert themselves into my writing process regardless of what that process might be.
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While reading Gary Paulsen’s LIAR, LIAR and companion novel FLAT BROKE this morning, I found myself thinking an all-too-familiar thought: “I want to try writing something like this.” (In this case I was referring to short novels, about 20k words, with the same characters, setting, and timeline.)
And then I remembered, as I always do when I have one of those creative-brain-all-over-the-place thoughts, that I’m in the middle of revising a YA novel that has been in and out of my life for years. I remembered that I really, really want and need to finish this novel. The want and need are wrapped up in the fact that I care about telling this story, but the want and need are also aligned with the instinct that’s telling me if I don’t finish the manuscript this go around, there will be serious repercussions in my writing life. It feels a bit do or die. Not as in THIS IS THE BOOK THAT’S GONNA GET ME MY BREAK, but as in this is the book that’s testing my mettle. I gotta prevail on this one. It feels as if I don’t finish the book, I will have given in to a schoolyard bully and might never venture back out on the playground.
So I put down the Paulsen books and decided that what I needed to do was quit pussyfooting around on my revisions. I needed to let go of the idea that I had to revise-revise-revise as I went along so that every single possible plot line and every single bit of characterization was exactly as it should be in final form. I decided that what I needed to do was revise in a more rough format SO THAT I ACTUALLY COMPLETE THIS DRAFT and then iron out minor issues and pretty up the language.
If I don’t take this approach, I fear this manuscript ain’t gonna happen which means an ugly domino effect.
So I fled the house (where I write every day) in search of mixing it up somewhere new. I landed at the library.
Here I am. Revising in a rough and tumble manner, and making progress.
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I dislike having my picture taken.
I dislike seeing photographs of myself.
I would much rather I didn’t care one way or the other.
I just used my old phone to take a few pics of myself
and I’m posting them here.
Call it photographic immersion therapy.
A photographic portrait is a picture of someone who knows he is being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks.
~ Richard Avedon
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Every writer knows about the internal editor,
that yammering
whispering
haranguing
insidious
voice
that says
Your story sucks
Your writing sucks
You suck so why don’t you give it up already?
I utilize different strategies for getting past my internal editor,
but without a doubt
the most effective approach is to keep writing.
Head down, pen moving.
Guaranteed, that voice will eventually shut up.
At least for a while.
In my experience, the external editors are sometimes harder to ignore.
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Woke up this morning feeling low,
nothing specific driving my blues.
More like a muffled blanket of sad
wrapped around me.
I forced myself out of bed for:
stretching
yoga
hooping.
Slightly better
but still wanted
to crawl back under the covers.
Grabbed some coffee and breakfast
along with my YA project notebook and pages.
Got to work.
Slightly better
but still blue around the edges.
Trying to use it to my advantage.
I merely took the energy it takes to pout and wrote some blues.
~ Duke Ellington