Thumb’s out

I’m ready to skip town.
Still not finished with this draft of the YA-from-hell.
Intended to finish by November 30 in my version of NaNo, but life intervened in a couple big ways and derailed those efforts.

Photo by Atlas Green

This young hitchhiker could have walked out of the pages of my manuscript. (Photo by Atlas Green)

I have written several drafts of this book, but never the final scenes. While I’ve mapped out those scenes, they’ve never been fully realized. I’m starting to wonder if it’s a case of “talking myself out of a book;” in other words, precisely because I have visualized and plotted out those scenes, I’ve lost all interest in writing them. Maybe they already feel done? Maybe I’ve lost faith in my abilities and so want to give up? Maybe I feel my efforts would be better spent on a more high concept story?

I can’t help thinking that my uncharacteristic antipathy toward this project somehow holds the key to my stuckness. I also can’t help thinking that if I just wrote the effing scenes, I’d escape these circles of hell.

 

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Like having a dream

For me, writing a novel is like having a dream.
Writing a novel lets me intentionally dream while I’m still awake.
I can continue yesterday’s dream today,
something you can’t normally do in everyday life.

~  Haruki Murakami

dream-landscape

Writing a novel is a pretty cool gig, all right. Except for when the process turns nightmarish. Other than that, though, it’s a dream. Really.

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Forgive me, Sherlock

I’ve just started working again on a YA project that’s gone through many on-again-off-again phases. The reasons for that aren’t important (mostly because I’m not entirely sure why this project has been the biggest-mule-of-a-novel-ever.) What does matter is that I’m reminded (again) how difficult it is to bounce back from an off-again period when working on a project that is kinda, sorta a mystery. Mysteries require a precise sprinkling of clues and epiphanies, and that sprinkling would be hard enough to pull off if I’d written this book in a timely and consistent manner. As in, a day-after-day writing schedule that helped me keep ALL the details straight until this draft was finished, rather than periods of intense work followed by months of neglect.

So much unnecessary confusion.
Oy.

sherlock

Sherlock’s disdain burns in my soul . . .

 

 

 

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Houston, we have a problem

A few minutes ago I searched for something on my desk. I found what I wanted.

However, I also discovered a whole stack of stapled-together drafts of various scenes from two different projects plus a pile of chronologically-organized query versions for one of those projects. Clearly, I have a paper problem.

paper-problem

But even more distressing than the avalanche of paper that has become my life is the realization that all those pieces of paper had one thing in common: handwritten revisions.

What am I thinking? That the literary world will need those important documents for the museum created in my memory after I die?! That someday someone will publish a study of one of my books à la E.B. White and THE ANNOTATED CHARLOTTE’S WEB?!

I tossed all of them in the recycle bin.

 

 

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First commit and then prevail

Yesterday I was tearing out my hair in frustration over my revisions. I struggled with a couple paragraphs for hours before finally calling it quits. I was in a pretty foul mood.

Today I returned to those paragraphs and am happy to report that the words cooperated. And I didn’t even have to bludgeon them into place.

Even better news is that I then spent the rest of the day going over the entire manuscript and am now ready to send it to a brand-new reader. Do you know what this means? This means I am five whole days ahead of schedule! FIVE WHOLE DAYS, people!

Bracelets

Bracelets made by Laura Hamor of Silver Freckles. Find her on Etsy.

What’s the key to my success?

As always, it comes down to two little words.

 

 

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Real feelings

There’s a real feeling when you know you’re getting it right. It’s a physical feeling.
~  Robert Caro

pop_art_cartoon_ginger_woman_tearing_hair_out_-_154569740__medium_4x3

Yeah, but what about when you’re not getting it right? Huh? What’s that physical feeling called, Mister I’ve-won-multiple-Pulitzer-Prizes-and-National-Book-Awards??

Around these parts it’s starting to feel an awful lot like baldness.

 

 

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Most tired when I don’t

I’ve been having a really hard time with my middle-grade this past week or so. I didn’t meet my revision goal for the week and was struggling with how to move forward. I was feeling burned out and not-so-enthusiastic about my writing endeavors. Any of them.

It was like an ongoing game of tug-of-war in my head. Back and forth swung my thoughts, emotions, and physical responses. Quit or not quit? Some or all? Finish this or start that? Fiction or nonficiton?

Image from Morguefile.

Image from Morguefile.

But as I did my cool-down walk this morning after a trail run, I realized that not making progress on the revision of my middle grade was part of why I feel burned out. It’s exhausting to be in forever-limbo with a project.

I wanted to quit because I felt shitty but I can’t quit because that will make me feel even shittier. In other words, writing can most certainly tire me out, BUT not writing may ultimately be even more draining.

Memo to self: sometimes I’m most tired when I don’t.

(Despite my wonderful little epihany, I am REALLY looking forward to finishing the damned book.)

 

 

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The right tool for the job

Sometimes a manuscript’s revision requires a total knock-down.
hammer-sledgehammer-mallet-tool

Other times a lighter touch is needed.
DSC_0024

Today my process feels closer to weaving than rewriting. I’m focusing on existing threads and interlacing them with other strands.
Loom

Note: This woman has a distinct advantage in that she will, without a doubt, know when she’s finished her project. When it comes to revision, I don’t always know when enough is enough.

 

 

 

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Channeling Muhammad Ali

Bee on coneflower

I must dig deep to find the essence I’ve overlooked, hoping that as I revise I don’t trample the delicate structure already in place.

Gotta float like a butterfly and sting like a bee.

 

 

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Weebles wobble

If you presume to love something,
you must love the process of it much more than you love the finished product.
 ~  John Irving

Right now I’m not entirely sure I love the fiction-writing process. As I revise this young adult novel, I’m starting to question whether I have any business trying to get published. I received some feedback on another manuscript that has me questioning my talent, and today I’m more wobbly than I’ve been in some time.

So. The bad news is I’m scared and exhausted and wishing someone could cut out this obsessive writer part of me so I’d never have to feel this way again.

The good news? My experience tells me that this ugly fog will eventually lift and then fade to a very faint memory. Lather, rinse, repeat.

I might not always love the process, but I trust it.

a copy

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Sometimes revision looks like this

Vinca plus

As I posted yesterday, I’m focusing on getting through this draft of my revisions and am trying hard not to get bogged down in potential issues. I want to trust that I can fix anything in need of fixing next time around. Right now the priority is maintaining forward momentum. The problem with pushing hard rather than employing my usual tweak-and-polish-rinse-repeat approach is that I can still see those potential issues and I start to doubt.

For instance in the above photo, I see all sorts of stuff:

vinca leaves
vinca blossoms
holly leaves
holly berries
pine needles
maple leaf
landscape timber

In this photo, it’s not clear where the eye should go. The focus isn’t great and there’s all sorts of stuff going on. And that’s a bit how it feels with the draft I’m revising. What potential issues deserve my full attention right now and what’s okay to let go? Where should I zoom in and where can I pan the camera? Inquiring voices (in my head) want to know.

I’m not in any kind of panic about this. I’ve made solid progress today and still believe (24 whole hours later!) that I’m taking the best approach to this draft. It is, however, interesting to note that the voices insert themselves into my writing process regardless of what that process might be.

 

 

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Sometimes I gotta play rough

While reading Gary Paulsen’s LIAR, LIAR and companion novel FLAT BROKE this morning, I found myself thinking an all-too-familiar thought: “I want to try writing something like this.” (In this case I was referring to short novels, about 20k words, with the same characters, setting, and timeline.)

And then I remembered, as I always do when I have one of those creative-brain-all-over-the-place thoughts, that I’m in the middle of revising a YA novel that has been in and out of my life for years. I remembered that I really, really want and need to finish this novel. The want and need are wrapped up in the fact that I care about telling this story, but the want and need are also aligned with the instinct that’s telling me if I don’t finish the manuscript this go around, there will be serious repercussions in my writing life. It feels a bit do or die. Not as in THIS IS THE BOOK THAT’S GONNA GET ME MY BREAK, but as in this is the book that’s testing my mettle. I gotta prevail on this one. It feels as if I don’t finish the book, I will have given in to a schoolyard bully and might never venture back out on the playground.

So I put down the Paulsen books and decided that what I needed to do was quit pussyfooting around on my revisions. I needed to let go of the idea that I had to revise-revise-revise as I went along so that every single possible plot line and every single bit of characterization was exactly as it should be in final form. I decided that what I needed to do was revise in a more rough format SO THAT I ACTUALLY COMPLETE THIS DRAFT and then iron out minor issues and pretty up the language.

If I don’t take this approach, I fear this manuscript ain’t gonna happen which means an ugly domino effect.

So I fled the house (where I write every day) in search of mixing it up somewhere new. I landed at the library.

Working at library

Here I am. Revising in a rough and tumble manner, and making progress.

 

 

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Starting Over, One Word At a Time

I’m revising the YA I’ve been working on off-and-on for years. There are a whole bunch of reasons for the delays and procrastination but the main takeaway is that because of the down-time, I was intimidated about jumping back into it. Then I read about one writer’s approach to getting back into a story: she retypes the entire manuscript.

I decided to give it a try.
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I’m taking it chapter by chapter, retyping from the last hard copy I printed out. So far, I agree with the writer who suggested it that retyping helps me revise on a deeper level than if I were only working with what was already there. In other words, my revisions would be more superficial if I was working with a hard copy and pen. Retyping seems to highlight issues such as where the text bogs down and any character inconsistencies. Most importantly, something about putting those words down, again, is helping reconnect me to the story. And in the process, it’s helping shine a light on what needs to change.

Every book I’ve written has taken a different path. There are days when I’m not sure whether that’s a blessing or a curse. This method, at least, is allowing me to move ahead.

Yes. No. Maybe So.

I’ve spent the past couple days researching nonfiction project ideas and it’s been a joy because the planet’s animal inhabitants are incredibly diverse and mind-blowingly freaky in their behaviors. I could read forever.

20140719-BatteryParkCityNY-LunchWithErinAndrew (56Edit)

But I can’t read forever because I need to make a decision. I need to choose a topic and start writing. The problem is I want to write about all the things that fascinate and entertain and expand my world view. All. The. Things.

I’ve started three different Scrivener files, adding research sources and roughing out drafts. And then my brain says “But there’s also that other cool thing. Maybe it would be best to write about that right now.”

indecision

 

 

 

 

 

I’ve never had this problem with fiction. I decide what story to work on and away I go. Over the years I have revisited fiction projects, which to the casual observer might look like indecisive bouncing around, but I’ve never experienced anything like this. Which is kind of strange considering that the planet’s human inhabitants are also incredibly diverse and mind-blowingly freaky in their behaviors. I mean, there’s a lot to choose from there, too.

I’d love to be assigned a topic, but that’s not happening right now. So I’m going to make a decision because, like this guy says:
The risk of wrong decision quote You heard it here first.

The Opposite of Writer’s Block

Too many ideas graphic

You know that expression “So many books, so little time”?
Right now my main issue is “So many ideas, so little time.”

The bulb in my head keeps flashing with new ideas for
non-fiction, fiction, picture book ideas, young adult novels,
magazine articles . . .

I’m also participating in Tara Lazar’s Picture Book Idea Month
in which I hope to generate at least 30 picture book ideas,
and am having great fun letting my imagination run wild.
I’ve come up with some truly horrendous ideas but have also
jotted down several promising concepts. Someday soon I hope
to pick one of those ideas and see where it takes me.

In the meanwhile, I’m still working on my middle-grade revisions.

Still?

Yeah, still. (You got a problem with that?)

So this is me putting that light bulb on notice. Flash all you want,
but I can only commit to jotting down ideas before getting back
to my manuscript.
 That middle-grade novel is my priority right now.
Capiche?

Seeing Things and Doing Things

Saw this beauty sunning itself on deck rail and captured with telephoto lens:
Doves + Maple leaves + Christmas cactus 002

The maple leaves are turning and I leaned over deck rail for a close-up look:
Doves + Maple leaves + Christmas cactus 009

The Christmas cactus sits next to the window so I zoomed in on its delicate beauty:
Doves + Maple leaves + Christmas cactus 015

Haven’t only been looking at lovely stuff, but am keeping my oath and making great progress on the final scenes of my YA. The End is in sight!

You Heard It Here First

I’ve been creeping toward The End on this YA project for FOREVER. (Okay, it obviously hasn’t been forever because that would indicate a major hiccup in the time-space continuum. Not to mention that “forever” would mean I’d have even more wrinkles than I already have.) So let’s just say it feels like a mighty long time I’ve been working on this book, yo.

One of the reasons I’ve been taking it slow is that I don’t like to write myself into a ditch. I’ve learned that if I allow the words to gush willy-effin’-nilly, I often live to regret that output because it can take an awful long time to get the literary wheels back on the road. However, it just occurred to me that because I am only scenes away from The End, that I can’t possibly do great damage. Even if I write myself in a wrong direction, it won’t be any big woop. I KNOW the big picture and I KNOW how this story ends and I KNOW what needs to be written. If something doesn’t feel right, I’ll delete. No big woop.

So here’s my public announcement: I am going to finish those scenes this week!

I_Take_This_Oath_FilmPoster

 

 

Friday Five: The Next Chapter

(1) Zippy and Zebu were at the tail-ends of their colds when I got sick two days before we had to start our drive to Washington. Of course. We left on Thursday morning with a big box of ultra-soft tissue and the rental car trunk loaded with Zebu’s stuff. We’d chosen a chevy impala trunkChevy Impala for its impressive trunk capacity and ended up getting one equipped with satellite radio. We drove many of our 1600 miles laughing at comedy routines and only once did I fear for our safety when Lewis Black had Zebu and me (behind the wheel) in tears. I highly recommend comedy for road trips.

 

(2) Zippy and I are now officially empty nesters (if you discount the two dogs and two cats), and I’m handling the transition pretty well. We arrived back home late Sunday night and while I did wash my face and brush my teeth on Monday, I spent the day in my jammies on the couch, watching flawless movie stillmovies (Party Girl with Parker Posey and Flawless with Philip Seymour Hoffman, pictured here with Robert DeNiro), some television (The Mindy Project and Californication), and staring into space. I’ve since roused myself, put on real clothes, and rejoined society.

(3) Now that we have Zebu settled at college, I can no longer put off finishing my YA. I thought my slow progress was solely due to feelings of trepidation regarding what happens when a manuscript is polished Daggerand ready to go (something that feels like the equivalent of putting my heart on a platter so that others can stab it over and over again), but a couple days ago I had an epiphany about my slow progress. I haven’t just been procrastinating in an act of self-preservation, but have been writing slowly because I was headed in the wrong direction. I thought I knew the ending, but I did not. Rather, I knew the final scene but had a few key details wrong. I believe my middle-office mind knew that and was patiently waiting for me to wake up to the truth of the story.

(4) I applied to and was accepted into the Rutgers One-On-One Plus Conference held next month, which is another motivator for finishing my manuscript. Yikes.

(5)  I don’t know if it’s a good or bad thing, but as a result of all the preparations and then the emotional aftermath of getting Zebu off to school, I’ve largely ignored the fear-mongering and bloodlust dominating the airwaves. May I just say, for the record, that I am so very tired of the U.S. government thinking it can end fundamentalist ideology by bombing it out of existence? It hasn’t worked before and it won’t work now. Also? Not only is it stupid, this latest bombing is illegal. But, hey, we’re Team USA! However, . . .

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Updates: Reading, Writing & Running

READING: After giving up on The Portrait of a Lady, I went back to my shelves and selected Sister Carrie by Theodore Dreiser. I’m happy to report I read the entire novel and, when I was able to push aside my prejudice against authors who explain-explain-explain their characters’ emotional landscapes, found myself pulled into the story. Hooray!

However, I then started another book (this one published in 1998) and read 90 pages 2515913-lbefore I’d had enough. I absolutely loved this author’s debut novel, but now wonder if it was equally bad and that I didn’t realize it because I wasn’t reading as critically at that point in my writing life. The one I quit today is nearly 900 pages (!) and narrated by someone I find unlikable and whose dialogue is not-at-all believable. Reading it made me angry on several levels (for one, knowing many trees died for this New York Times bestselling book), and when I get angry at the writing, it’s time to look for another book.


WRITING:
I’m plugging away at my YA and have, at least momentarily, quit beating myself up for working at such a slow pace. SONY DSCI’m essentially now writing the first draft because these later scenes are all new to the story, but because I’m being thoughtful and deliberate in my writing I’m confident I’m not driving the story into the ditch (or cornfield).
Also? Thoughtful + deliberate = doesn’t read like a first draft.

 

RUNNING: Per my PT/rehab instructions, I’m easing back into my running. The rules are (1) that runs must always have at least one day in between and (2) I can add 5 minutes to the run after having at least two solidly good runs at the previous time length. “Good runs” translates to reasonable pain (that can be addressed via stretching, massage, rest) and feeling halfway decent energy-wise. For my last three runs, I ran for 35 minutes each time. This whole thing has been such an adjustment for me, not just physically but also psychologically. I’m learning to cut myself some slack, to celebrate the gains and to not beat myself up when I don’t perform as well as the previous run. The key word here is “learning.” This is all very much a work in progress. Zippy encouraged me to run a 5k with him this past weekend, but because I knew I wouldn’t run nearly as well as I had last year, I declined.

Running hard as I can, but not yet flying . . .

Running hard as I can, but not yet flying . . .

In My Head and Out My Window

I’m drafting a scene in my YA,
slightly confused about the sequence of events.
Then thunder rumbling in the distance brought me to the window
and I found reassurance in the sky; there’s confusion up there, too.
Clouds 001Me and the sky, just two peas in a pod.

 

Making Courage a Habit

A great part of courage is the courage of having done the thing before.          ~ Ralph Waldo Emerson

Because I didn’t write much over the summer, it’s been difficult finding my groove again. That nasty little voice whispers in my ear, calling me delusional as I try to shake off the rust and gain some traction on my project.

I’ve had a few starts and stops, but for the past three days have written 1000 words per day. It’s starting to feel like a habit again although each day there’s a flutter in my chest as I prepare to sit down to work. “What if today I can’t do it?”

But as the wise Mr. Emerson pointed out, courage gets a bit easier each time you face down a particular fear. So right now I’m off to write my 1000 words for the day with the knowledge that I’ve done it before and can surely do it again.

Courage.Cowardly Lion receiving courage

The Story Is In the Details

It’s been a very strange summer in terms of my productivity and sense of passing time, but school is back in session and I’m trying to get back in the groove. I’m working again on the contemporary YA I focused on during the online revision course with the ever-wise editor Cheryl Klein, and realized I needed to know much more about the setting. So I’m taking the time to create a map of the community, including local businesses. I’m getting to know proprietors and citizens and landmarks.

I’m adding detailed texture to the story.Sedum 052Just having that map and sketches of those additional characters makes me feel like an authority on my story. Taken separately, details can seem like tiny, sometimes insignificant things. But when you add them up, those tiny details turn into a solid foundation.

Honoring the Periphery

Sometimes a photo is exactly as it seems. Bird shots 001In this case, an Eurasian Collared-Dove dipping its tail in a heated, slushy bird bath.

Other times, however, photos contain bonus details the viewer might miss. Take a look at this picture: Bird shots 007If you’re like me, you didn’t immediately notice the safflower seeds falling from the pointed beak of this Northern Flicker.

How about this photo? Bird shots 009Did you notice the incoming finch in the upper right-hand corner? Or how about the finch suspended in flight in this next one? Bird shots 015Pretty cool, huh?

I have gazillions of feeder photos taken over the years, and I’m loathe to delete any of them because it seems there’s a surprise hidden in each if I take the time to see what’s there. I’m having a similar experience in my writing life as I work with a fast-drafted manuscript I wrote and put away for four years. I’m creating a bookmap (an analysis/breakdown of each scene) and am tickled by the little gems hidden in the rough of that first draft. Granted, there’s a lot of not-so-good and, of course, the distractions of various plot and character possibilities. But I’m trying hard not to be blinded by the obvious so that I’m open to all possibilities. I want to honor everything: the written, the implied, and the subtle-yet-powerful details dancing on the periphery.