Early this morning it was below zero and, despite the sun, the temperature is still hovering below freezing. I’m working on revisions right now from a chair strategically located in a patch of sunshine and just remembered this photo I took in Kapok Park last January.
I feel a kinship with this sun-worshipping turtle. If there was a big, warm rock for me to embrace, I’d be doing the same right now.
When you’re in the muck you can only see muck.
If you somehow manage to float above it,
you still see the muck but you see it from a different perspective.
~ David Cronenberg
Today as I work to revise my contemporary young adult novel that’s been in my life for what seems like FOREVER, I send prayers that the goddesses will grant me a different perspective on these pages and pages of muck. While an ibis thrives on muck, this writer does not. I’m ready for wings to help me float above it all and see this manuscript differently.
Revising a manuscript can be overwhelming, especially when your agent sends two pages of notes. I’m hugely grateful for her insights and feedback, but there are moments when I panic and think it’s gonna be impossible to bring coherency to this messy draft. That’s where the colorful fun comes into play.
Highlighters + sticky notes + bound manuscript = me forging ahead.
I’m holding tight to my color-coded revision process because it keeps me organized, but also because using different colors bring me happiness. Novel-writing should include joy and happiness as much as possible. And because coffee and peanut butter rice cakes also bring joy and happiness, they are equally mandatory to my process.
I will bring order to this messed-up draft. You heard it here first.
I’m revising a young adult novel I fast-drafted in 2009. Since that time I’ve, in a very on-again-off-again manner, written several drafts. I’ve known the protagonist’s emotional arc pretty much all along. The action plot has come more slowly, but I’ve also had a pretty good grasp of that for quite some time.
My struggle is with the climactic scene. I’ve written several versions and like each of them. Today as I wallowed in confusion and indecision, I decided maybe the best solution would be to make this manuscript a Choose Your Adventure story. That way, the reader’s choices would dictate how it all plays out and I’d be off the hook.
It’s either that or I flip a coin.
Worked much of today revising a young adult manuscript. There’s still lots to be done, but I made progress and am beginning to believe I’ll meet my self-imposed deadline.
Novels are such mysterious and amorphous and tender things.
~ Arundhati Roy
True that. And not only am I treating my novel gently today, but also myself. This revision doesn’t need to be perfect, and will never be so. No nasty voices allowed.
What will matter most at the end of the day is that I showed up.
For the past twelve days I read a whole bunch (The Hazel Wood; The Secret Life of Anna Blanc; Storyworthy; The Truth About Twinkie Pie; Boys and Girls Together; The Infinite Pieces of Us;), did some de-cluttering, scrapbooked photos, watched college basketball and Netflix, exercised, and did ZERO writing.
The no-writing started out easy because I was pretty worn out from my NaNoWriMo draft and in serious need of a break from that kind of thinking. Then I began to notice an increase in grumpy feelings and overall anxiety, and realized it was probably writing withdrawal. But I still wasn’t ready to get back to it. I had a gut feeling I’d view any new writing as crap and any older project as crap, and sure enough, I read 20 pages of a YA I’d set aside in June and thought “This is irredeemable garbage.” So I went back to reading other people’s words and cleaning out drawers.
Last night I realized I was ready to write again. Somehow, I knew it was safe to go back to the pages and I’m pleased to report I was absolutely correct. I just finished reading the entirety of the aforementioned YA. I took copious notes and am excited about the project that is NOT irredeemable garbage. It’s a manuscript in need of revision and I just happen to love me some revision.
Back in the saddle again, baby.
Because every step in the process is its own milestone.
Here’s to completed manuscripts!
As I wait to hear back from my agent on the middle-grade manuscript I sent her way, I want to document a new approach in my revision process. For the first time ever in the history of me writing books, I paid to have a manuscript bound. Here it is:
I was inspired by this tweet from author-extraordinaire Laurel Snyder:
Intrigued by the idea of revising in that tidy format, I asked Laurel if she printed single or double-sided and she responded that she did single sides because then she could write on the backs of pages. She also said she requested extra blank pages bound in the back for notes. Genius!
Before having my manuscript printed I switched it from the manuscript default (Times New Roman 12-point) to Garamond 12-point. I did that so my brain would see and read the pages differently. It came out to about 200 pages and cost me $22.
I applied my usual revision approach of reading the entire manuscript in one sitting. I always set the goal of reading without revising or making notes, but this time around was not at all successful. I tweaked sentences here and there early on and then forced myself to merely mark troublesome passages with CLUNKY. I made other general notes in the margins and then after finishing the manuscript wrote out big-picture thoughts/questions on a blank page in back.
Verdict? I loved working with a bound manuscript. All my notes and thoughts were in one place. I transferred my edits to my Word doc that was also color-coded with revision threads (green for anything dealing with X and yellow for Y and blue for Z and fuschia for wording still in need of tweaking). It was so easy to follow a plot/characterization thread from beginning to end.
I can’t wait to use this process again.
This morning started with a run followed by delicious coffee and rice cakes smeared with peanut butter as I began working on revisions. Everything was clicking and life was good.
Looking back on it, I wish I’d bottled how I felt then because the day quickly took a number of turns for the worse and now I’m kinda worn out from it all. I’ve tried and tried, but I can’t conjure up those good feelings. Damn you, life’s curves and slick surfaces!
Ah well, tomorrow means a fresh start.
I’m working on my revisions and mostly succeeding in ignoring the nasty voice in my head that says “this is crap” and “why even bother?”
What’s the key to my (mostly) success?
Remembering there’s no such thing as a perfect manuscript. Perfection is an unattainable ideal that just so happens to also be highly subjective.
From my perspective this purple coneflower is perfection. Flawed petals and all. I love it and have spent quite a bit of time gazing at its loveliness. However, your mileage may vary. And that’s okay.
Today I wander the wilderness of my manuscript, hoping I’m (finally) headed in the right direction with these revisions. Remembering to acknowledge the process and enjoy the journey as best I can.
With great writing there is great clarity.
~ David Costabile
That is precisely why I’ve got my notebook out again, jotting down elements of the manuscript I’m revising in hopes of making connections I’ve missed so far. It’s hard to admit, but my story lacks focus. How that can still be true in the fourth draft I do not know. What I do know is this:
With mediocre writing there are muddy waters and confusion which result in the reader not knowing exactly what she’s supposed to root for or why any of it matters.
Word of the day (and probably however long it takes to finish this draft) = CLARITY.
Today I’m suffering from a self-inflicted case of the writer’s malady known as Shiny New Idea Syndrome. I’ve been revising a middle-grade novel and mostly liking it and, in fact, the other day had a breakthrough regarding how to rewrite the opening and quickly reworked it to my satisfaction. The revision is mostly going well and there’s no reason to set aside the project.
I learned of a submission call for picture books and decided it would be good for my brain (that’s been almost 100% devoted to writing novels) to try something new. I figured noodling on a completely different type of project would lubricate my creative juices and invigorate my work. Am I invigorated? Who knows? All I can say for certain is that I just spent the last couple hours going through my Picture Book Ideas notebook and now my brain is ping-ponging between multiple story possibilities. None of which are suited for this specific submission call, but details like that don’t ever matter to Shiny New Idea Syndrome.
Universal truth: The grass is always greener on the other side of the work-in-progress. All that not-yet-effed-up potential is so very tempting.
I’m going to keep working on my middle-grade. If a suitable picture book idea comes to me, I’ll pursue it. Otherwise, I won’t go beating the bushes for other distractions.
You read it here first.
The snores are making it difficult to concentrate on revisions, but the elevated levels of cuteness make it worth sharing my writing space with the napping Zoey and Emma.
Not sure whether Marcel is keeping my revision notes warm or hatching a whole new plot line. Either way, I’m always grateful for his editorial input.
I’m writing a new opening for my madcap middle-grade novel, one that (hopefully) sets the correct tone for the manuscript. It’s been a struggle. Over the past five days I’ve written draft after draft after draft and today started thinking I’d be better off if I gave a chimpanzee a typewriter and locked her in here while I took a long nap.
Time to step away from the keyboard . . .
I’m programmed to believe it’s best to take the shortest route between Point A and Point B. Why waste time, right? Get where I want to be as quickly as possible. To do otherwise is proof I’m lost and confused. I’m hyper-sensitive to that judgment because I have a horrible sense of direction and spend a fair amount of time feeling disoriented. I’ve literally pulled over and cried in frustration when my brain couldn’t sort out where I was headed. Even when I get somewhere without mishap, I frequently berate myself for taking a longer route than necessary.
Why? The shortest distance between two points is a straight line. And anyone who takes a longer route is someone who’s doing it wrong.
That’s an unhelpful way of thinking and is particularly dangerous in terms of my writing journey. And yet, those thoughts pop in my head. Right now I’m wondering how I could’ve written three drafts of my manuscript without recognizing a key problem. How did I not know?! What is wrong with me?!
Well, nothing’s wrong with me. It’s called the writing process. I’ve been here before and I’ll be here again. Guaranteed.
Today I celebrate side roads, scenic detours, and fourth drafts.
I was all ready to blog about how I’d received feedback on the latest draft of my middle-grade manuscript along with a suggestion on how to address a core problem. It was going to be a blog post about trusting my gut, in that the revision suggestion had initially resonated with me but after further thought I knew it was all wrong. The post’s title was a straight-forward “Trusting my gut.”
I wrote a few words and went off in search of “gut” images. Nothing. I searched “belly” and came up with a slew of pregnant bellies which I nixed because I didn’t want to sound a pregnancy alarm. “Stomach” and “tummy” brought more pregnant women pics.
And then I searched for “chubby baby” and came across this:
I’m trusting my gut that this image is what I was looking for all along.
Just returned home from lunch and a visit with my mother-in-law who had a birthday yesterday. I sat down at my computer to pick up where I’d left off on my revisions and was hit with a wave of sleepy.
It’s raining outside my window and I’m opting for a nap.
As I continue to work on the YA-manuscript-with-many-warts, I take solace in this bit of wisdom:
Every great work,
every big accomplishment,
has been brought into manifestation through holding to the vision,
and often just before the big achievement,
comes apparent failure and discouragement.
~Florence Scovel Shinn
The way I see it, I’m currently smack-dab in the middle of an enormous puddle of failure and discouragement which means Big Achievement could very well be nigh.
*scans horizon before getting back to revisions*
I’ve gone back to a project I haven’t looked at in 18 months, a project that hasn’t been shopped at all so should still have a brand-new shiny feel. Instead, this project that’s given me fits over the years continues to make me nervous. I think the nerves are a result of the MANY hours I’ve put into this book without an end in sight. I read it through in one sitting yesterday and while I admired much about the manuscript, I’m still not confident the story structure is correct.
You know what that means . . .
I just hit SEND on my manuscript and am doing the Ed Grimley happy dance!
Finishing that round of revisions is totally decent, I must say!
My self-imposed deadline for finishing this draft is fast-approaching and I’m torn between wishing I had another couple days of work time and being SO GLAD the end is near. I’m at that point in which I’d just as soon throw the manuscript in the lake.
Soggy or not, here I come.
Sometimes taking the most simple action can quell my anxiety. Yesterday as I worked on this revision and felt overwhelmed by the many, many details of my madcap story that must be explained by the end of the manuscript, I started a list.
LOOSE ENDS / EXPLANATIONS NEEDED
Whoa. Behold this literary rocket scientist at work!
I’m trying hard to stop kicking myself for not creating the list at the outset of this round of revisions and, instead, be grateful for my peace of mind in the here and now.