One of my favorite writing strategies is to take a running start at a manuscript, a technique that works for me both in the drafting and revising stages.
How do I define a running start?
A running start is sometimes merely rereading the work from the previous day in order to find my rhythm so that I can continue in that flow. Most days that’s all I need in order to keep going.
Other days, however, the nasty voices whisper so loudly in my head I worry that writing in that mindset will result in me inflicting big-time damage on my manuscript. I’m talking crash-and-burn, holy-hell-how did-we-end-up-on-this-tangent kinda damage OR, worse-case scenario, convincing myself that the only logical response to the crap I’ve put down on paper is to give up on the project, my writing, and all dreams. Forever
Those are the days in which my running start requires that I go back to page one and read everything I’ve written/revised thus far.
Image from morguefile.com
Today was a nasty voices day. So I read the 50+ pages of revised manuscript and, as predicted, my literary goblin’s voice faded away. I liked what I read. I was proud of what I’d written and felt a renewed enthusiasm for the project. I made progress on the revision.
It’s important to note that there are multiple decisions required of this strategy. I have to ask myself two questions:
1) Is this a regular running start kinda day or a Page One running start day?
If I immediately know the answer, it’s all good. If not, I ask myself the following:
2) Are the nasty voices so relentless they will dominate no matter what I try?
If the answer is Yes, it’s best to not even fight back. No running start, no writing, no thinking about the project.
There’s always another day and another perspective.